‘Generation Antichrist’ by Onslaught
Artists
Dave Garnett / Vocals
Nige Rockett / Guitar
Wayne Dorman / Guitar
Jeff Williams / Bass
James Perry / Drums
Rating
Musical Feel
Song / Album Composition
Tracks
Rise To Power
Strike Fast Strike Hard
Bow Down To The Clowns
Generation Antichrist
All Seeing Eye
Addicted To The Smell Of Death
Empires Fall
Religiousuicide
A Perfect Day To Die
“Rise To Power,” starts things off as dramatic as a movie intro. The music shifts in and out of focus, before blaring into full focus. A slow groove toward destruction.
“Strike Fast, Strike Hard,” roars into being, demanding to be heard. The riffs are brutal, the vocals even more so. This is a song that snaps and isn’t afraid to show as much.
“Bow Down To The Clowns,” comes in heavy and fast. Like a battering ram it takes control and shifts the scope of proceedings forward. The vocals bite with anger and energy and the whole feeling of the song is one of power.
“Generation Antichrist,” is a snarling monster of a song. One that combines historical mysticism with furious riffage and no time restraint for insanity.
“All Seeing Eye,” is a snakecharmer of a song. One that delivers some absolutely brutal riffs and keeps the melodies tight and controlled.
“Addicted To The Smell Of Death,” shatters the ground that the listener is on with its ferocity and temerity. A song that is made to bamboozle and does so.
“Empire’s Fall,” is a song that mixes the plains together. A song that combs through the various fields of life and shifts everything together into one hefty mould to hit the hammer hard.
“Religiousuicide,” smacks the ground hard. A song that comes out of left field and delivers passion, anger and ferocity all in one.
“A Perfect Day To Die,” has a solid bass intro that gets the blood pumping and generates some serious energy. As the song progresses there’s a sense that time is moving quicker than before, and that the need for speed will soon catch up. As we reach the pinnacle of the song that is proved correct.
A phenomenal album that is released on 7th August via AFM Records.