An interview with Joviac
An interview with Joviac
JUPITER
What inspired the name of the band? What are your influences?
My name is Viljami Jupiter Wenttola and the word “Jove” is an age-old English word for the Roman god Jupiter, so I just changed the ending of the word to form Joviac. I don’t see myself as a god, don’t worry! I just wanted to make the band name personal and to remind myself that I shouldn’t be afraid to keep making music for myself as I always have. I think the only way to stay true to the fans is to stay true to yourself, and while every bit of support humbles me, I’ll keep making music for myself and myself alone.
I’m influenced by so many things both in the realm of music and outside of it, but if I would have to name my top musical influences, they would have to be Dream Theater, Pain of Salvation, Circus Maximus, Devin Townsend, A.C.T and of course Toto! I think you can hear all of those bands in our music.
How do you approach songwriting? Are there any themes that you are keen to explore when you start off?
My main songwriting instrument is the guitar and I come up with a lot of riffs, melodies and chord progressions when I’m just playing around with the instrument. Usually I’ll come up with some idea (riff, chord progression, melody or rhythmic idea), then I try and feel out where it would fit in a song, is it an intro, verse, chorus, bridge or a stand-alone thing? Once I have an idea of where to put that idea, I record it and try to come up with the adjacent song parts and just build from there. My songwriting process is deeply dependent on technology as I record everything into demos. Once I have a full song demo ready, I’ll send it to Antti (bass) and Rudy (drums) so they can arrange my demo bass and demo programmed drum tracks to better fit their own hands and playing styles.
I have a (bad) habit of writing songs as instrumentals first and sort of slapping on vocals at the last phase. I’m constantly trying to fix that as I feel like it would benefit the songs to have the vocals with me in my mind at each phase of songwriting as its own instrument and not just as an afterthought to be shoved in there for good measure at the end. I do love writing vocals and lyrics though!
I have a history with anxiety and depression, also my life has been greatly affected by mental illness in my family. It seems to be a subject matter that comes most naturally to me when I’m writing lyrics. It does make sense, nothing else has quite impacted my life and my growth as a person in the same way. Also I think there’s still too much stigma around the subject, so if I can help someone else speak freely about mental illness, I would be very happy. Most of my lyrics to do with mental illness are about overcoming those hurdles though, I’m an optimist at heart even though sometimes I find it hard to be one.
I also follow news and global politics to a fair extent. It’s a double edged sword, though. I feel an endless curiosity about the way of the world but it also gives me a lot of anxiety and often times I feel like I have to vent. It bleeds into my lyrics frequently as well.
ANXIETY
ANXIETY
How do you approach songwriting? Are there any themes that you are keen to explore when you start off?
My main songwriting instrument is the guitar and I come up with a lot of riffs, melodies and chord progressions when I’m just playing around with the instrument. Usually I’ll come up with some idea (riff, chord progression, melody or rhythmic idea), then I try and feel out where it would fit in a song, is it an intro, verse, chorus, bridge or a stand-alone thing? Once I have an idea of where to put that idea, I record it and try to come up with the adjacent song parts and just build from there. My songwriting process is deeply dependent on technology as I record everything into demos. Once I have a full song demo ready, I’ll send it to Antti (bass) and Rudy (drums) so they can arrange my demo bass and demo programmed drum tracks to better fit their own hands and playing styles.
I have a (bad) habit of writing songs as instrumentals first and sort of slapping on vocals at the last phase. I’m constantly trying to fix that as I feel like it would benefit the songs to have the vocals with me in my mind at each phase of songwriting as its own instrument and not just as an afterthought to be shoved in there for good measure at the end. I do love writing vocals and lyrics though!
I have a history with anxiety and depression, also my life has been greatly affected by mental illness in my family. It seems to be a subject matter that comes most naturally to me when I’m writing lyrics. It does make sense, nothing else has quite impacted my life and my growth as a person in the same way. Also I think there’s still too much stigma around the subject, so if I can help someone else speak freely about mental illness, I would be very happy. Most of my lyrics to do with mental illness are about overcoming those hurdles though, I’m an optimist at heart even though sometimes I find it hard to be one.
I also follow news and global politics to a fair extent. It’s a double edged sword, though. I feel an endless curiosity about the way of the world but it also gives me a lot of anxiety and often times I feel like I have to vent. It bleeds into my lyrics frequently as well.
NEED
Why do you write the sort of music that you do?
Because I need to. Music has been the main form of self expression and self actualisation for me since I was a teenager. I found that through songwriting I could get away from the competition mentality of music that was prevalent in our little clique of musicians early on when we started playing instruments at around grade 7. No one else can express me better than I can, so there’s no need to compare my music to other people’s music. I seem to have a driving need to express myself, to show people how I see the world. Music is the lens that I live my life through and connect with other people and I’ve been very lucky to have found it when I did. It’s my Raison d’être. It’s also been a great form of therapy for me when things got rough. I wouldn’t be here without it.
How do you decide what songs to perform live and how do you transpose them into that live setting?
Well right now our newest album “Here And Now” is still fresh from the spring, so we’re playing those songs as much as possible. In fact we have our record release show FINALLY tonight! It was postponed from April due to corona and we’ve anxiously been waiting for this evening. Luckily Finland hasn’t been hit hard by the second wave of covid-19 yet and we were able to play these two shows, first one in Helsinki a week ago and tonight’s album release show in my hometown of Tampere.
We don’t change the songs a lot when it comes to playing them live, in fact if there’s one thing we’ve inherited from the progressive metal scene, it’s the mentality that we try to play the songs as well as we can, as closely to the album versions as possible. Some older songs have transformed a bit, though, but we have to use backing tracks live because we don’t have a live synth player, choirs or strings etc. so that sets a clear limit to how freely we can do things on stage. We only use those backing tracks for things we aren’t able to do ourselves though, for us it’s not a crutch. Maybe one day we can go on tour with such a production that we won’t need them at all, like Devin Townsend has recently done for example.
HERE AND NOW
HERE AND NOW
How do you decide what songs to perform live and how do you transpose them into that live setting?
Well right now our newest album “Here And Now” is still fresh from the spring, so we’re playing those songs as much as possible. In fact we have our record release show FINALLY tonight! It was postponed from April due to corona and we’ve anxiously been waiting for this evening. Luckily Finland hasn’t been hit hard by the second wave of covid-19 yet and we were able to play these two shows, first one in Helsinki a week ago and tonight’s album release show in my hometown of Tampere.
We don’t change the songs a lot when it comes to playing them live, in fact if there’s one thing we’ve inherited from the progressive metal scene, it’s the mentality that we try to play the songs as well as we can, as closely to the album versions as possible. Some older songs have transformed a bit, though, but we have to use backing tracks live because we don’t have a live synth player, choirs or strings etc. so that sets a clear limit to how freely we can do things on stage. We only use those backing tracks for things we aren’t able to do ourselves though, for us it’s not a crutch. Maybe one day we can go on tour with such a production that we won’t need them at all, like Devin Townsend has recently done for example.
NEW MATERIAL
What plans do you have for the future?
I’ve tried to use the corona downtime as efficiently as possible. In fact this summer I almost drove myself to the brink of burnout trying to write as much new material as I possibly could! After tonight we don’t have any gigs in the horizon (with the possible exception of one) so I’m going to be spending my time refining the material I wrote during the summer. We’ve been looking at hitting the studio this winter to record some of that material! I have no idea yet if it’s going to be just a couple singles, an EP or an album, but I’ll let you know!